- I just enjoyed this oddly convincing, unsold Mad Men script in which Don Draper meets Rod Serling. Some of the details don’t quite work, but the idea of the two men meeting is a pleasing one. (Well, except for the fact that nobody is Rod Serling but Rod Serling.) Maybe Serling’s family wouldn’t be into it, though, since they can’t even let Rod be licensed into a sweet action figure (note: I have a vested interest here).
- Rod Serling interviews Asimov and and other sci-fi dudes during the moon landing coverage. (Maybe this isn’t the best age of television after all.)
- Kelly Vlahos on the disturbing pertinence of The Twilight Zone.
- The Root has an intriguing piece on black people who dig the confederate flag.
- Jesse Walker noted other recent attempts to take back the confederate flag.
- I’m suddenly terribly excited, while slightly creeped out by the prospect of the movie Everest, which is based on Jon Krakauer’s Into Thin Air and the 1996 disaster in general. I’ve read Into Thin Air no less than five times, the first when I was about 10. It is a beautifully written, horribly tense book which was very influential for me. I already had begun reading about World War II and such, but Krakauer’s book — and in particular, what happened to Beck Weathers — really got the point across that nonfiction can be as bizarre, dramatic, and epic as a made-up story. The movie might be quite good, and the trailer — before it devolves into mindless DUN DUN short cuts — confirms that. But it’s still sort of creepy to stare at the IMDB cast list and to know exactly who dies and who makes it. We actually already did the fictionalized thing with a TV movie from the ’90s which is both strangely accurate and cheesy in the way only a TV movie can be (see the one about the Weavers and Ruby Ridge for a similar problem). This could be a good film, I’m dying to watch it, and to be a total pain in the ass who knows exactly what happened. But I’ve already see the IMAX film where base camp overhears stranded Rob Hall saying goodbye to his wife. Seeing that repeated with Keira Knightly and Jason Clarke feels like a cheap, tacky ghost of that gut-wrenching thing. Because it is. No matter how good this film might be it, that’s what it is.
See what you think of the trailer. As I say, it looks good, and it makes me hate the people who cut trailers.